Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
Falcon is an advanced and truly unlimited hybrid instrument, bringing together an extensive collection of cutting-edge oscillators, effects, modulators and event processors and delivering them in a workflow-adaptive and highly-scriptable environment. Falcon allows you to create and manipulate sound with unparalleled precision and finesse, from basic sample slicing and synth design to extravagantly modulated multitimbral hybrids. Falcon runs stand-alone or in your DAW as a plugin, is natively surround capable up to 10.2 channels, can take just about any sound you can throw at it for fuel (and some pictures, too) and is fully compatible with all UVI Powered instruments.
Falcon comes with an incredible collection of factory presets created by some of the most respected sound designers in the world. Tap them for instant gratification or to inspire your own sound design. Component presets are available for everything from oscillators and effects to modulation sequencers, allowing you to quickly explore options and find one that works, fast. Create your own presets for nearly any module and build custom libraries so you can easily recall ideas for future use.
As an added bonus, each Falcon license includes a $99 voucher good towards the purchase of any sound library at uvi.net. Enhance your Falcon experience immediately with one of our premium instruments like CS-M, or grab Mayhem of Loops for a massive fuel injection to your new sampling workstation.
Whether you're looking for a large package of new sounds and instruments to explore or a creative environment to realize efficient, reliable and sophisticated sound design with, Falcon is an innovative and powerful choice.
OSCILLATORS
Falcon offers 15 highly-optimized oscillators covering the spectrum of modern sampling and synthesis techniques. Sample-based oscillators include IRCAM Granular, IRCAM Multi Granular, IRCAM Scrub, IRCAM Stretch, Sample, Slice and Stretch. Synthesis oscillators include Analog, Analog Stack, Drum, FM, Noise, Organ, Pluck and Wavetable. Falcon's oscillators sound incredible and are optimized for efficient performance.
>> Learn more
EFFECTS
Over 80 high-quality effects are at your disposal, categorized for easy navigation: Delays, Reverbs, Modulation, Filters, Equalizers, Amps and Stereo, Drive and Distortions, Dynamics, Analysis and more. UVI's rich heritage of effect design is in full force with sophisticated delays, versatile reverbs (including the Sparkverb algorithm and a CPU-optimized convolution reverb), compressors, vinyl, reamping effects and more. Add effects at the patch level, as sends or even per note. Sky's the limit.
>> Learn more
MODULATION
Rich sound means motion and Falcon can create it whenever and however you need it. AHD, Analog ADSR, Attack Decay, DAHDSR, Drunk, LFO, Multi Envelope and Step Envelope modulation generators all come standard and can be used to effect nearly anything in the Falcon environment. Create variation over time or on demand, drive your oscillators, effects or even other modulators, then add the most important parameters to the macro panel for clear and intuitive performance control.
>> Learn more
EVENTS
Falcon's Event processors provide control and analysis of the pre-synthesis phase of your sound, from manipulating incoming MIDI data to creating it algorithmically. Utilize factory processors such as an advanced Arpeggiator, Micro Tuner, Chorder, Harmonizer, Strum simulator, MIDI Player, Unison and Shepard effects, or code your own from scratch with the powerful Lua scripting language.
>> Learn more
INTERFACE
From editing at the component level to mixing and realtime performance of multiple instruments, Falcon's interface was designed to be both ergonomic and adaptable. Due to the nature of instrument design and interactive music performance, projects can quickly become large and multifaceted. Falcon's UI was structured to help mitigate that complexity and allow you to quickly focus regardless of the level of detail.
>> Learn more
PERFORMANCE
Falcon was designed with a rich performance toolset including full Open Sound Control (OSC) implementation, host automation, flexible MIDI and audio routing, MIDI learn, key range and velocity range controls, keyswitching and more. Whether you're working with a single instrument or an ensemble, in a DAW or standalone, Falcon gives you the control you need to create dynamic and captivating performances.
SOUNDS
Falcon comes with an incredible collection of presets created by some of the world's most recognized sound designers, but there's much more to discover. Falcon is fully-compatible with all UVI and UVI-Powered instruments from a growing list of companies like Acousticsamples, Gospel Musicians, VI Labs and Virharmonic.
>> Learn more
SCRIPTING
Falcon implements custom scripts throughout its architecture allowing you to create everything from custom Event processors to professional-level skinned instruments with the powerful and lightweight Lua scripting language. Don't know anything about scripting? Don't worry, Falcon has a built-in visual editor for creating fully customized macro-driven interfaces.
Falcon includes 15 oscillators covering a wide range of modern synthesis methods from basic sample playback to more advanced generators like Pluck, Wavetable and IRCAM Multi Granular.
One of Falcon's greatest strengths is its ability to freely layer oscillators to create elaborate hybrid instruments that capitalize on the unique features of both sample-based and algorithmic sound creation. There are no preset limits on the quantity or type of oscillators you can use, you're limited only by your computers processing power and imagination.
ANALOG
A virtual analog oscillator outfitted with a traditional selection of waveforms including Sine, Saw, Square, Triangle, Noise and Pulse. Includes pulse width modulation, sync control and a robust unison section supporting phase, tuning and spread control on up to 8 voices.
ANALOG STACK
An 8-voice implementation of the Analog oscillator designed to facilitate the rapid layering. Each voice utilizes the same basic engine found in the Analog oscillator, substituting the Unison and Sync sections for Pan and Gain to facilitate spatial and level mixing and a pitch section for subtle to extreme voice detuning.
DRUM
Designed for the creation of rhythmic and percussive sounds, DRUM utilizes both a pitched oscillator and noise generator. Both pitched and noise oscillators sport discrete AD amplitude envelopes with the former providing pitch modulation. EQ and distortion are available in the master section for broad shape control.
FM
A four operator FM oscillator applied with phase modulation rather than frequency modulation. Operators provide discrete level and frequency ratio controls and can be arranged in one of 11 configurations.
NOISE
A robust noise oscillator offers 15 unique noise shapes including Band, S&H, Static I, Static II, Violet, Blue, White, Pink, Brown, Lorenz, Rossler, Crackle, Logistic, Dust and Velvet. Dynamic shapes provide additional control such as Static Density and Logistic Chaos.
ORGAN
A drawbar-style organ oscillator with 8 bars representing different harmonics traditionally used on pipe organs. ORGAN provides discrete Gain and Pan controls for each partial and a percussion section with Fast/Slow and Harmonic controls. Pair with the rotary effect for a classic organ sound.
PLUCK
A physically inspired string synthesis module, Pluck utilizes both algorithmic and sample-based oscillators to create rich harmonic sounds with natural decay. Choose from a selection of factory impulses or load your own samples, fine tune the initial excitation, modulation of multiple strings, and finally contribution of sample, synth and noise generators.
WAVETABLE
A fully-featured wavetable oscillator provides multiple phase distortion modes and a robust unison section with wave and stereo spread across up to 8 voices. Modulate the Wave Index to sweep through wavetables which can be chosen from a large selection of factory content. Wavetable can also import a variety of user files including WAV files (single or sequential), user tables or graphic image files which are converted pixel-rows to cycles, brightness to amplitude.
SAMPLE
A no-frills workhorse sample oscillator, ideal for basic soundboards and traditional sample playback. The Sample display can be interactively resized and provides editing functions such as crop, normalize, silence, reverse and fade in/out along with the ability to apply any of Falcon's effects in-place.
SLICE
Ideal for rhythmic and percussive material, the Slice oscillator can divide samples into discrete keygroups to be resequenced. Adjust transient sensitivity manually or use embedded markers like those found in REX files. Drag-and-drop export of sliced file maps in a variety of ways including as a Falcon patch, discrete WAV files, or MIDI sequence.
STRETCH
A realtime, low-CPU pitch-shifting sample oscillator. Stretch can adjust pitch up to ±2 octaves while maintaining sample duration. Freely adjust sample start time, playback mode and tempo analysis. Use the Solo Mode button to switch between discrete monophonic and polyphonic pitch-shifting algorithms.
IRCAM Granular
IRCAM's premier granular oscillator, divides an audio sample into grains and recombines them for realistic pitch shifting or soundscape generation. Adjust Grain parameters such as Size, Density, Jitter, Position, Speed, Direction and Loop Mode along with Pitch Variation and Correction Method.
IRCAM Multi Granular
A multi-voice implementation of the IRCAM Granular oscillator which can be used to great effect to achieve a range of complex unison sounds. Includes the same control set from IRCAM Granular with an additional section to deal with up to 8 voices, including as quantity, position and time spread.
IRCAM Stretch
Similar to the Stretch oscillator, but implementing IRCAM's high-quality phase vocoder for time-stretching and pitch-shifting with transient and envelope preservation. Requires more processing power than the standard pitch-shifting algorithms used in other oscillators but with a significant quality improvement.
IRCAM Scrub
Similar in use to IRCAM Granular, IRCAM Scrub offers random-access scrubbing, speed and directional control but uses the same top-quality algorithm found in IRCAM Stretch.
Falcon includes over 80 high-quality effects, categorized for easy navigation: Delays, Reverbs, Modulation, Filters, Equalizers, Amps and Stereo, Drive and Distortions, Dynamics, Analysis and more. With effects suited for nearly every need from creative mangling to precise sound sculpting, mixing and analysis, Falcon provides a tremendous sound design facility.
Effects within Falcon can be instanced as sends on effect busses, at the program, layer or note level and allow for extensive control of your signal and an unrestricted approach to sound and instrument design. Additionally, effects can be racked in an EffectRack for parallel and multi-band processing, or as a central, reusable multi-effect with macro-driven controls.
An all-purpose delay effect inspired by classic analog delays using tape loops.
A versatile delay module with with discrete channel controls for creating time-based effects. A sophisticated display visualizes changes to time, stereo and phase.
Spreads the signal over time, creating a simple yet versatile decay with reverb-like results.
A highly-optimized convolution-based reverb module. Includes a large library of factory impulses with support for user samples.
A versatile algorithmic reverb capable of producing an extremely broad range of spaces with a minimal control footprint. Uses the same engine as the stand-alone effect plugin.
A traditional chorus unit inspired by a vintage analog effect pedal.
An ensemble chorus effect inspired by the ensemble effect section of a popular vintage synthesizer.
A traditional flanger unit inspired by a vintage analog effect pedal.
A classic flanger effect, mixing the input signal against a variable time-delayed version of itself.
A classic chorus effect, mixing the input signal with multiple time- and pitch-modulated variations for a shimmering unison effect.
A classic phaser effect, mixing the input signal with a phase-modulated version of itself.
A phaser with an integrated auto-panner, produces a wider and more varied phasing effect.
An emulation of a vintage speaker cabinet with multiple speed modes and mic styles.
A unique filter inspired by the filter section on a popular American analog synthesizer.
A gentle and very efficient 6dB/octave lowpass or highpass filter. The most efficient of all filters by far.
The classic swiss-army knife multimode filter.
A unique filter inspired the filter section on a popular Japanese analog synthesizer.
A steep butterworth Lowpass or highpass filter with slope ranging from 24 to 96 dB/oct.
A MultiMode (LP, HP, BP, Peak, Notch) State Variable filter with optional built-in saturation.
A classic comb filter module. A time-delayed version of the input signal is fed back into self and added or subtracted.
A filter that is continuously adjustable between low-pass and high-pass modes.
A crossover filter with selectable low-pass, band-pass and high-pass modes and variable crossover frequency. Configure in EffectRack chains for multi-band processing.
A dual-filter version of the classic talkbox effect.
A classic 24 dB/octave ladder lowpass filter with resonance (order 4).
A classic wah filter effect with manual control over the wah amount.
A classic 12dB/octave lowpass filter with resonance (order 2).
A multimode (37) variant on a 4th order ladder filter with built-in saturation and oversampling.
A 3-band EQ divided as Low, Mid and High. The Mid band is a bell curve, while the Low and High bands are shelves.
A convolution processor specifically designed for emulating EQs and cabinets. Choose from a large selection of factory impulses. Supports user samples.
An 8-band parametric EQ with variable filter shapes and an interactive graphical display.
A 2-shelf equalizer, inversely applying a low-shelf and a high-shelf.
An emulation of the tone circuit in a popular fuzzbox guitar pedal.
Emulates the tone control section found on many popular amplifier heads.
A classic autopanner, varies the stereo pan with an LFO.
A typical level-adjustment module, boost or cut the input signal level.
Sets the gain level and phase of each channel allowing for simple per-channel adjustments and specialized gain/phase transformations such as decoding M/S to stereo.
A classic tremolo effect, varies amplitude with an LFO.
A specialized stereo width enhancer.
A classic crunch effect inspired by popular electric guitar effect pedals.
A classic fuzz effect inspired by guitar and bass effect pedals.
A multi-stage effect made up of a filter sandwiched by two drive stages.
A basic saturation effect.
A distortion effect with 3 different saturation modes and internal oversampling up to 16x.
A typical drive module with post-drive-stage UVI Filter.
A level-tracking saturation effect with selectable tape or tube distortion.
A distortion effect with many saturation modes, input and output filters and internal oversampling up to 16x.
A specialized convolution effect designed to emulate signal reamping. Emulates various amplifiers and the characteristics of subsequent capture microphones including dynamic, condenser and ribbon mics.
A multi-band variant of the Compressor module with adjustable crossover frequencies.
A traditional gate effect, silencing signal below a variable threshold.
A multi-band variant of the Studio Limiter module with adjustable crossover frequencies.
A look-ahead limiter with graphical timeline visualizer that displays dynamic range of the input and output signal.
A 2-stage dynamics processor, a compressor stage tames signal peaks over a variable threshold then an expander gates the signal below a second variable threshold.
A precision limiter ideally suited for individual parts or stereo mixes.
Displays the input signals phase correlation. Mono signal is represented by a vertical bar. Out of phase stereo signal is represented by a horizontal bar.
Displays the frequency content of the input signal. Frequency is mapped across the X-axis, amplitude along the Y-axis.
A chromatic tuner with needle-style meter, accurate to 1 cent increments. A helpful tool when adjust a sample's pitch with its keygroup Fine Tune parameter.
Creates a discrete, inline effect path. Has a customizable macro-driven interface. Supports multiple chains.
A resampling effect useful for emulating the lo-fidelity sound of various hardware units or extreme bit reduction.
A typical vinyl simulation effect outfitted with year, speed, wear, electrical and mechanical noise, dust and scratch simulations.
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
Falcon includes 8 modulation generators including AHD, Analog ADSR, Attack Decay, DAHDSR, Drunk, LFO, Multi Envelope and Step Envelope. Modulation generators can be instanced at any level in a patch allowing them to control nearly any parameter, be it on an oscillator, effect or even on another modulator. This system allows you to paint motion into your sounds almost effortlessly, from subtle variation over time to complex on-demand sequences.
Every modulation generator in Falcon can store presets, providing a quick way to save and reuse configurations that you find useful. Falcon ships with over a thousand preset wave shapes for the Multi Envelope generator alone.
[Attack, Hold, Decay] envelope, a simpler variant of the DAHDSR envelope found on some classic synthesizers.
[Attack, Decay, Sustain, Release] envelope, emulates the decay characteristics of vintage hardware synthesizers and provides handy remapping tools to modulate attack with incoming note velocity or decay with note pitch.
[Attack, Decay] envelope, the most basic envelope in Falcon, useful for percussion and other sounds that don't require a sustain or release phase.
[Delay, Attack, Hold, Delay, Sustain, Release] envelope, an extension of the more common ADSR envelope, adds an additional Delay phase at the beginning and a Hold phase between Attack and Decay.
Generates a random walk signal which simulates the natural randomness of pitch and amplitude drift found in sustained notes.
[Low Frequency Oscillator] generates a cyclical modulation in one of the following waveshapes: sine, square, triangle, ramp up, ramp down, analog square, random s&h, chaos lorenz, chaos rossier. You can also draw your own custom wave shapes for precise control.
A user-definable envelope that can be created with any number of points and interactive curve shapes. Allows for long and highly-expressive modulation sequences. Can also be looped for LFO-like behavior.
A programmable pattern sequencer, can be tempo-synced to steps of musical division or set to discrete time values.
<img class="compwidth" style="margin-top: 5px; max-width: 732px;" src="http://www.uvi.net/themes/uvi/img/loader.gif" data-src="http://www.uvi.net/img/cms/Falcon/FALCON_www-pp-in-depth-modulation_step-env.jpg" alt="Falcon | Modulators" ti
Owners of any version of Vintage Vault are eligible for upgrade pricing (see table for details)
Owners of individual product(s) included in Vintage Vault 4 totaling in value of $149 or more (MSRP) are eligible for upgrade pricing (see table for details)
Upgrade pricing is available to people who have purchased individual products anytime, including those obtained during promotions
NFR licenses may not be upgraded
Resale of individual products obtained in a bundle or used to upgrade to a bundle are not allowed
Introductory and upgrade prices available through April 30th, 2020.
Owners of individual products included within the bundle have received a tiered discount voucher by mail, and can also see it at uvi.net/discount. The discount voucher can be used on top of the introductory price and is available once through April 30th, 2020.
NFR licenses may not be upgraded.
Resale of individual products obtained in a bundle or used to upgrade to a bundle are not allowed.
SonicPass
